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**Chandra** (Soma, Soma Chandra) is the lunar deity, and the two names carry two layers.
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Chandra (Soma, Soma Chandra) is the lunar deity, and the two names carry two layers. Sōma is the Rigvedic god of the moon and of the amṛta — he is pressured, in the Soma hymns, and the soma-sacrifice is the rite that presses him; Chandra is the later, Sanskrit, specifically lunar name, and where it appears the god is being characterised as the body's night counterpart to Sūrya, as pratīk — the "counterpart" — of the sun. Chandra is the moon as an object of sky-worship, with his own mansion (chandra-mandira? — the nakṣatra Rohinī), his own wife, and his own characteristic wound.
That wound is the eclipse. The myth is old and it survives in several shapes: the moon is bitten or swallowed by a serpent, by a rākṣasa, or by Rāhu in the Puranic version in which Rāhu is one of the nine graha and is punished for swallowing the moon and is thereby the eclipse-cause. The story is not a metaphor to be decoded but the mechanism by which an agricultural society accounted for the moon's disappearance; and the rākṣasa form in the Atharvaveda and the Puranic Rāhu form are two stages of the same explanation, not the same tale told twice. Its yajña — the eclipse — is a pāpa and a śūdra ritual to be interrupted or performed by a specific cast, and the rahu aspect is one of the ajñā? of the śāstras.
Chandra's Rohiṇī is the manushi form of the story that moralises him: the Moon falls in love with Rohiṇī — both his wife and the nakṣatra — neglects his duties, is punished by fading for a fortnight each month, and is restored only when she intercedes. It is a nakṣatra mythology as much as a moral one, because the eclipse season is the Māgha month. His vehicle is the antelope (mṛga) and also the horse; his usual offering is the white kusa? and milk; and the moon's phases supply the paksha half-month of the whole ritual calendar, which is why a lunar deity is a calendrical deity before he is anything else.